Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,   Related Paintings of RAFFAELLO Sanzio :. | Portrait of Dona Isabel de Requesens | The Holy Family | Bishop | Angel | Kill dragon and Georgian |
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Oswald achenbach
German Painter, 1827-1905 was a German landscape painter. Born in Desseldorf, he received his art education from his brother, Andreas Achenbach. His landscapes generally dwell on the rich and glowing effects of color which drew him to the Bay of Naples and the neighborhood of Rome. From 1863 to 1872 he was Professor of Landscape Painting at the Desseldorf Academy. He died in Desseldorf of an inflammation of the lungs.
Frederick richard pickersgill,R.A.
1820-1900 was an English painter and book illustrator. Born into a family of artists, he was admitted to the Royal Academy Schools in 1840. He did some book illustrations for the works of John Milton and Edgar Allan Poe. Pickersgill's The Burial of Harold was accepted as a decoration for the Houses of Parliament in 1847. He also did some landscapes under the influence of the Pre-Raphaelites. In 1856 Pickersgill was photographed at 'The Photographed Institute' by Robert Howlett, as part of a series of portraits of 'fine artists'.
Peder Balke
Peter Andersen was born on the island of Helgøya, in Hedmark county, Norway. He grew up Ringsaker, but stayed in the 1820s on the Balke farm in Toten in Oppland county. Farmers in Toten paid his education, and as thanks he decorated several of the farms in Toten on his return. They actively encouraged his painting activities and later supported him in higher education. In the autumn of 1827, Balke served as an apprentice to Heinrich August Grosch. he was also a student at the Tegneskole under Grosch and Jacob Munch. Balke signed a two year contract as an apprentice at the Danish decoration and artist Jens Funch. From autumn 1829 to spring 1833, he was a pupil of Carl Johan Fahlcrantz at the art academy in Stockholm. Balke was also a pupil of Johan Christian Dahl from 1843 to 1844. During the summer of 1830 he walked through Telemark, Rjukan, Vestfjorddalen over Røldal and Kinsarvik to Bergen, and then back over Vossevangen to Gudvangen, further over Fillefjell to Valdres and thence across the mountains to Hallingdal. All the way he painted and drew small sketches that were later developed into paintings. He also traveled to Germany, and Russia. He visited Paris and London. In Stockholm, he completed several of the paintings he had outlined of his Finnmark tour. Some of these were sold to the royal family. In 1846 he sold thirty of his paintings to Louis-Philippe of France for Versailles. Besides the 17 paintings in the National Gallery in Oslo, Peder Balke also is represented at several major art collections in Norway and Sweden.